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With interiors more intense in its depth to satisfy customers with the advent of competitiveness, paintings of folk-lore depicting the man and woman are seen as a novel way to distinguish the rest rooms of both genders.  Folk art encompasses art produced from an indigenous culture or by peasants or other labouring trades-people of a region. In contrast to fine art, folk is primarily utilitarian and decorative rather than purely aesthetic.


The art is done with a border made of fine black lines and echoed in the linear flow of the piece; a classic Paisley motif with colour accents breaks the deeply contrasting palette in black or maroon of this workmanship, creating a signature piece.  Folk Art is characterized by a naïve style, in which traditional rules of proportion and perspective are not employed.
Indian Folklore paintings as in the ‘Panchatantra’ series and style are an art by themselves. Folk art reflects traditional art forms of diverse community groups — ethnic, tribal, religious, occupational, geographical, age or gender-based , who identify with each other and society at large.


Folk artists traditionally learn skills and techniques through apprenticeships in informal community settings, though they may also be formally educated. Although this form of art is dying, the Government via PoomPuhar strives to bring out the rich tradition of the art by giving the artisans a foothold, as their main objective is to promote as well as project the traditional art forms of India/ Bharat. The paintings made in canvas/ cloth/ wood etc., are expressly and expressively executed in matt finish to get encased by a thin framework which complements the art in its full form of simplicity.


The framed art by itself is not meant to be a glamour quotient as it is folklore, yet fits the bill in its effort to earmark the area for a sense of belonging to mankind, by a truly unique, refined approach.


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